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foreground relationships
as soon as she made the red line
forms and textures hauntingly allude to the world of nature and recognizable things
Paul Snell’s recent works lure the viewer into a meditation on image saturation
#1249 Jean Feinberg foreground relationshipsBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that
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