Anselm Kiefer: Ureaus B. Clavery while the white lettering reveals

while the white lettering reveals the unprinted paper

Between the Clock and the Bed commemorated the fiftieth anniversary of the debut of the crosshatch paintings at Castelli Gallery in 1976 and bookended Gagosian’s occupancy of its flagship gallery at 980 Madison Avenue

Weatherford makes large paintings comprising grounds of spontaneously sponged paint on heavy linen canvases surmounted by one or more carefully shaped and placed colored neon tubes

and a catalogue of projects and publications from 1971 to 2005

Anselm Kiefer: Ureaus B. Clavery while the white lettering revealsThis book was published on the occasion of Anselm Kiefer: Uraeus at Rockefeller Center, New York. It centers on the artists first site specific public sculpture in the United States, commissioned by the Public Art Fund and Tishman Speyer, and presented by Gagosian. The work consists of a gigantic open book with eagles wings spanning 30 feet wide, both made of lead, mounted on top of a 20 foot tall lead clad stainless steel column. Clustered around the